Griselda Duch
Griselda Duch
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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

Personal Work

BLUMEN, Opium Poppies

1 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Tulips

Personal Work

2 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Protea Obtusifolia

Personal Work

3 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

Personal Work

BLUMEN, Fern

4 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Bamboo Plant

Personal Work

5 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Lunaria Annua

Personal Work

6 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Arum Lily

Personal Work

7 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

Personal Work

BLUMEN, Oyster Plant

8 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

Personal Work

BLUMEN, Eucalyptus

9 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

Personal Work

BLUMEN, Protea Cynaroides

10 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

Personal Work

BLUMEN. Wheat, Cereal

11 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

Personal Work

BLUMEN, Protea Lacticolor

12 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Dianthus Caryophyllus

Personal Work

13 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

Personal Work

BLUMEN, Eucalyptus

14 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Craspedia

Personal Work

15 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Cactus

Personal Work

16 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

Personal Work

BLUMEN, Hyacinthus

17 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Celosia Argentea

Personal Work

18 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Bird of Paradise

Personal Work

19 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Dianthus Plumarius

Personal Work

20 / 33

NEXT PROJECT

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Ranunculus

Personal Work

21 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Anemone

Personal Work

22 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, African Lily

Personal Work

23 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Leonitis Leonurius

Personal Work

24 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Escabiosa

Personal Work

25 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

BLUMEN, Astroemeria

Personal Work

26 / 33

NEXT PROJECT

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Dipsacus Fullonum

Personal Work

27 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Tillandsia

Personal Work

28 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

Personal Work

BLUMEN, Anemone

29 / 33

NEXT PROJECT

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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Griselda Duch

Personal Work

BLUMEN, Mary Thistles

30 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Anthurium

31 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Calathea Lancifolia

32 / 33

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
Close
Griselda Duch

BLUMEN, Arum Lily

33 / 33

NEXT PROJECT

 

Blumen

Personal work

Years 2022 / 21 / 20 / 19

 

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BLUMEN
Years 2022, 21, 20, 19
 
Drawing inspiration from the imagery associated with the early 19th and 20th centuries' photographers Karl Blossfeldt, Imogen Cunningham or Robert Mapplethorpe —among others— throughout the series "Blumen" photographer Griselda Duch enters a creative dialogue with the beauty of natural environment and the way to interpret it through art.

In light of this work to reveal overlooked beauty through botany, containing within itself an infinity of potential forms, the monochromatic series comes up with a clear composition where self-expression reigns.

Lauding the universal motif of the plant, the photographs are interrelated into a same aesthetic reflection converging at a point between delicacy and profundity.
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110 ROOMS
Year 2020
 
Shots in 110 Rooms housing blocks, located in Eixample, a historic district in central Barcelona.
MAIO’s architects pay homage to the essences of Eixample's neighbourhood through unique contemporary aesthetics and maximum versatility becoming the hallmarks of this work.
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UNCOVR TRAVEL
Year 2021
 
Shots for UNCOVR Travel within the "Insider Atlas Campaign" about my road-trip through Tenerife, Canary Islands.
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LE COOL MAGAZINE
Year 2018
 
Cover story for Le Cool Magazine (Barcelona) featuring different approaches of the city of Barcelona.
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ARCHITECTURES
Years 2020, 19
 
Being unique among creative and artistic professions, architecture it is very important. Beyond merely providing shelter, architecture becomes the stage set and context for our lives, and own an important influence in our living.
Playing between line, shape, and color; the series aim to transport the viewer into a setting. Being drawn to the places we all inhabit and that become frames full of unusual details and combinations, I seek to reveal the role of architecture to endless possibilities, looking for aesthetic sensations where symmetry, light, color and textures become the main protagonists.
 
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